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Join NYC’s premier comics and true best friends on earth, Stef Dag and Gabby Bryan, as they get into the minds and personal lives of their audience members to create a demented sleepover vibe – presented by Chuckle Busters

New work-in-progress from Perrier Comedy award and Fringe First winner, Will Adamsdale

Two-time Edinburgh Comedy Award nominee Lauren Pattison is back with a brand-new show – presented by Chuckle Busters

A raucous, wild, and tantalising drag revue show celebrating the magic and madness of musical theatre

Fresh from a sold-out run at the Edinburgh Fringe, with extra dates added, Amy Annette’s debut show Thick Skin is on tour – presented by Chuckle Busters

The latest Kid Carpet & The Noisy Animals show for ages 3-10 and their families, featuring their signature relaxed performance style of catchy songs, lo-fi puppetry, video magic and audience participation

A hilarious new mime-clown-comedy show from the mind and body that brought you Squid Boy, Kraken, Nautilus, Trygve Vs A Baby and Different Party – light and silly, absurd and Dada, and a sort of autobiographical, introspective look at all the silly little things that can make or break a friendship

Scarlett Smith is an electro-acoustic harpist and comedian based in Bristol – passionate about multi-disciplinary work, she combines her love of funky alt-harp bops and celestial soundscapes with whimsical narratives and stand-up comedy

Following the success of their debut show NASTY: ‘Big’ Girls Being Gross, Mean & Sexy, the Succulent girlies are back with another queer, autobiographical, confessional piece of theatre about grief that’s gut-busting and gut-wrenching in equal measure, putting the ‘fun’ in funeral

A ridiculous, rambunctious night of alternative comedy, clowning and games – every few months

Following his sell-out debut show, viral sensation Horatio Gould brings his much-anticipated sophomore show, Return of the Space Cowboy, on the road – presented by Chuckle Busters

A bold satire exploring the struggles of being an artist in the cost of living crisis. With brutal honesty and abrupt silliness, Mia and Daisy navigate having to work under the tattered austerity umbrella and ask the question: can working class and middle class creatives really work together?